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3. Start small
Choose one modest-sized space to work with, and do a trial exhibit, perhaps with an artist or artists you’re acquainted with, before soliciting submissions. Once up and running, set a manageable exhibit schedule.
4. Solicit like a pro
“The more professional you can make the interaction with the artists, the more professional material you will get,” Brough advises. This means being organized, having paperwork ready and communicating well.
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Peter N. Dunn
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